This song was made famous by being on the OST for the horror film 28 Days Later.
This is a perfect showcase of how repetition and an evolving theme can keep the listener interested over a long period of time, without the need for vocals.
The blend of bass, piano and acoustic/electric guitars before the percussion even kicks in is majestic, you get to fully appreciate the layering of this song and its wonderful composition.
Towards the end, it even begins to sound symphonic.
This is a masterpiece in modern instrumental music.
In The House In A Heartbeat
Tuesday, 19 February 2013
Monday, 18 February 2013
Daily Heavy: AxeWound - Cold
If you are into UK metal, you'll know that Bullet For My Valentine have recently released their fourth album Temper, Temper. As a longstanding Bullet fan I gave the first two singles from it a listen and they were dire; I was hoping that they had some good stuff saved for the rest of the album - no such luck. Compared to any of their previous work or even their contemporaries like Funeral For a Friend, their fourth attempt is dire.
So why have I prefaced this post with my short but damning review of Bullet's latest album?
Because only a few months earlier, Bullet frontman Matt Tuck released the debut album of his side-project AxeWound, and it was excellent.
The album, Vultures, sees Matt Tuck alongside vocalist Liam Cormier of hardcore band Cancer Bats, as well as members of Pitchshifter, Rise To Remain and Glamour of the Kill.
The brutality on this album reminds me of Bullet's Hand Of Blood EP as well as their debut album The Poison.
It seems that this sort of music is still well within Matt Tuck, but clearly he needs his main band to release commercially acceptable tripe to be able to fill stadiums come headlining tour time.
This song is simple, but so catchy and heavy at the same time. Some punchy guitar riffs back up Tuck and Cormier's growls and screams during the verses and we got some more melodic vocals during the choruses.
But the highlight of this song has to be the breakdown at the end - it is earth shattering.
I hope for the integrity of Bullet For My Valentine that they begin to make music like this song again.
Cold
So why have I prefaced this post with my short but damning review of Bullet's latest album?
Because only a few months earlier, Bullet frontman Matt Tuck released the debut album of his side-project AxeWound, and it was excellent.
The album, Vultures, sees Matt Tuck alongside vocalist Liam Cormier of hardcore band Cancer Bats, as well as members of Pitchshifter, Rise To Remain and Glamour of the Kill.
The brutality on this album reminds me of Bullet's Hand Of Blood EP as well as their debut album The Poison.
It seems that this sort of music is still well within Matt Tuck, but clearly he needs his main band to release commercially acceptable tripe to be able to fill stadiums come headlining tour time.
This song is simple, but so catchy and heavy at the same time. Some punchy guitar riffs back up Tuck and Cormier's growls and screams during the verses and we got some more melodic vocals during the choruses.
But the highlight of this song has to be the breakdown at the end - it is earth shattering.
I hope for the integrity of Bullet For My Valentine that they begin to make music like this song again.
Cold
Saturday, 16 February 2013
Daily Ghetto: Skepta - Hello Good Morning (Grime Remix)
This is a UK-USA mashup; Grime artist Skepta injects some pace and excitement into P.Diddy's already excellent song Hello Good Morning.
The beat is much heavier in this version and the tempo gets increased, turning this song from a rumbling synth-laden affair to a ferocious club banger.
Skepta spits his bars with intensity and clarity, something that elevates him above so many other Grime MCs.
The second verse sees Diddy and Skepta trading lines and then we get some sung vocals by one of Diddy's backing group, Dirty Money.
The production on this song is tight and I think it is a good showcase for UK music rather than some of the rubbish this scene has produced (I'm looking squarely at you Chipmunk).
Hello Good Morning (Grime Remix)
The beat is much heavier in this version and the tempo gets increased, turning this song from a rumbling synth-laden affair to a ferocious club banger.
Skepta spits his bars with intensity and clarity, something that elevates him above so many other Grime MCs.
The second verse sees Diddy and Skepta trading lines and then we get some sung vocals by one of Diddy's backing group, Dirty Money.
The production on this song is tight and I think it is a good showcase for UK music rather than some of the rubbish this scene has produced (I'm looking squarely at you Chipmunk).
Hello Good Morning (Grime Remix)
Thursday, 14 February 2013
Daily Smooth: Boyz II Men - I'll Make Love To You
Well, because today is Valentine's Day I had to post one of the soppiest slow jamz I could muster up.
So here's one of Boyz II Men's many smash hits from their second album II.
I'm not even going to go into what this songs is about - the title says it all. As with most Boyz II Men songs, we get a nice sampling of Wanya and Shawn's sublime voices in the verses and then some of the sweetest harmonies you'll ever hear during the choruses and bridge.
This sort of song is the hallmark of Boyz II Men, and the album II is loaded with songs like this - guys take note - you can play this without skipping a track and your lady will love it.
So there we go - one for the lovers.
I'll Make Love To You
So here's one of Boyz II Men's many smash hits from their second album II.
I'm not even going to go into what this songs is about - the title says it all. As with most Boyz II Men songs, we get a nice sampling of Wanya and Shawn's sublime voices in the verses and then some of the sweetest harmonies you'll ever hear during the choruses and bridge.
This sort of song is the hallmark of Boyz II Men, and the album II is loaded with songs like this - guys take note - you can play this without skipping a track and your lady will love it.
So there we go - one for the lovers.
I'll Make Love To You
Wednesday, 13 February 2013
Daily Smooth: Chris Brown - Damage
Let me preface this post by saying that there seems to be a link between good to exceptional pop and R&B singers and their somewhat disturbed personal lives.
Michael Jackson, R.Kelly and Bobby Brown all fall into this category.
Yes Chris Brown is a woman-slapping douche with anger issues (recent beefs with Frank Ocean and Drake as well as throwing chairs out of buildings), but let's just appreciate the music he makes.
Damage comes from Chris Brown's second album Exclusive - one of his best efforts along with F.A.M.E.
This song lets Chris' voice shine because it sits fairly high in the mix and the instrumentation here is quite simple.
This is a quality modern slow jam - and the harmonies and ad libs towards the end are excellent.
Damage
Michael Jackson, R.Kelly and Bobby Brown all fall into this category.
Yes Chris Brown is a woman-slapping douche with anger issues (recent beefs with Frank Ocean and Drake as well as throwing chairs out of buildings), but let's just appreciate the music he makes.
Damage comes from Chris Brown's second album Exclusive - one of his best efforts along with F.A.M.E.
This song lets Chris' voice shine because it sits fairly high in the mix and the instrumentation here is quite simple.
This is a quality modern slow jam - and the harmonies and ad libs towards the end are excellent.
Damage
Tuesday, 12 February 2013
Daily Ghetto: Juicy J - Bandz A Make Her Dance
This was one of the biggest tunes of last year.
If you follow this blog you will remember that I am a massive Three 6 Mafia fan, so when I caught wind of Juicy J releasing another solo album, with this as the lead single I was seriously excited.
The beat and production on this song is huge!
Since last year every other rap song was "(insert artist here) ft. 2 Chainz" this song, predictably has 2 Chainz on it.
Unfortunately the abhorrence that is Lil Wayne makes a mid-song appearance, but he does not bring the song down too much.
For the record, there is a version of this song that has just Juicy J rapping on it - by far the best incarnation if you don't want to hear Wayne's whiney voice.
Bandz A Make Her Dance
If you follow this blog you will remember that I am a massive Three 6 Mafia fan, so when I caught wind of Juicy J releasing another solo album, with this as the lead single I was seriously excited.
The beat and production on this song is huge!
Since last year every other rap song was "(insert artist here) ft. 2 Chainz" this song, predictably has 2 Chainz on it.
Unfortunately the abhorrence that is Lil Wayne makes a mid-song appearance, but he does not bring the song down too much.
For the record, there is a version of this song that has just Juicy J rapping on it - by far the best incarnation if you don't want to hear Wayne's whiney voice.
Bandz A Make Her Dance
Friday, 1 February 2013
Daily Heavy: Meshuggah - Bleed
If music were to embody an event, this song would be a war cry;
Bleed is a relentless, surgically tight, sonic assault.
When you have two guitars and the kick drum blasting that machine gun-like riff for the first 3 minutes or so, you know you're in for a great metal song.
The way the riff gets played in a higher octave to start with and then the low notes of the 8 string guitars hit you later on takes you by surprise.
Vocalist Jens Kidman's off kilter growls add a level of brutality to this song that has to be heard to be understood!
Meshuggah are one of my favorite bands and I'd urge anyone that loves metal to check them out.
Bleed
Bleed is a relentless, surgically tight, sonic assault.
When you have two guitars and the kick drum blasting that machine gun-like riff for the first 3 minutes or so, you know you're in for a great metal song.
The way the riff gets played in a higher octave to start with and then the low notes of the 8 string guitars hit you later on takes you by surprise.
Vocalist Jens Kidman's off kilter growls add a level of brutality to this song that has to be heard to be understood!
Meshuggah are one of my favorite bands and I'd urge anyone that loves metal to check them out.
Bleed
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